Wott A World Tile Gazetteer

Tiles On The Web:
A World Tile Gazetteer

About The Gazetteer

This is a gazetteer of places that are of interest to tile enthusiasts. The entries are organized by location, historical period, and type of site (museum/collection, in-situ, working tilery). Sites with first person observations by a contributor to Tiles On The Web are listed individually, with contact information for the "reviewer" if s/he agrees to provide such information. Other sites not visited (yet!) are listed as a group at the end of the entries for a given historical period.

Contributions of first person observations or other information to expand this gazetteer are welcome.

Great Britain (England, Scotland, and Wales)

General Collections: Museums and Collections
British Museum
Victoria and Albert Museum

Medieval Tiles: In-Situ
Stokesay Castle
Buildwas Abbey
Byland Abbey
Fountains Abbey
Rievaulx Abbey
Other Sites, Alphabetical by Location (County)
Other Sites, Alphabetical by Name

Medieval Tiles: Museums and Collections
Norton Priory

Victorian Tiles: In-Situ
Liverpool Museum
Norton Priory
Leighton House
York Minster
Other Sites, Alphabetical by Name

Victorian Tiles: Museums and Collections
Birmingham City Museum and Art Gallery
Gladstone Pottery Museum
Jackfield Tile Museum
Stoke-on-Trent City Museum and Art Gallery
William Morris Gallery

Europe

France

The Dutch Tile Museum in Otterlo lies near the woods and heathland of the Veluwe. The museum has one of the largest collections of Dutch wall tiles and tile panels.

Dutch Tiles: Notes from a Neophyte

Tile Murals of late 19th century Amsterdam Porches

A collection of tile murals and ornamental tiles preserved in porches of late 19th century houses in Amsterdam.

Portugal

Spain

Switzerland

18th Century Tiles: Museums and Collections
Schweizerisches Landesmuseum (Zurich)

Africa and the Middle East

United States of America

California

20th Century Tiles: In-Situ
A Walking Tour Of Tilework In San Francisco's Marina District

Florida

20th Century Tiles: In-Situ
Bok Tower, Lake Wales, Florida

Ohio

Pennsylvania

20th Century Tiles: In-Situ
Henry Chapman Mercer's Fonthill

20th Century Tiles: Museums and Collections
Henry Chapman Mercer's Fonthill
Henry Chapman Mercer's Moravian Pottery and Tileworks

20th Century Tiles: Working Tileries
Henry Chapman Mercer's Moravian Pottery and Tileworks

Washington D.C.

20th Century Tiles: In-Situ
National Shrine of the Immaculate Conception
Organization of American States

Stoke-on-Trent City Museum and Art Gallery Go to Contents
Bethesda Street, City Center
Hanley (Stoke-On-Trent)
Staffordshire, England
0782 202173
An impressive collection of the "industrial" pottery of the area (Wedgwood etc., not really my taste but technically impressive), lots of English slipware (like the Toft plates you see in many books), and a very nice tile collection, mostly Victorian British. Much as tile is dear to me, my favorite exhibit was a new collection of British studio pottery. The studio pottery collection came from a local collector whose interest was going around Britain from school to gallery to craft fair and buying pieces he liked by lesser known or unknown potters. He passed away recently (this year maybe?) and donated the lot to the city. An incredible variety of work represented. Hundreds of pieces practically stacked on top of each other to make room for them all. Not the ideal way to display them, but you get to see a lot of work. Finally, if you're into cow cream pitchers or "gag" mugs with frogs in them, this place is for you! Even if you're not, the exhibits are good for a chuckle.
Visited by Tom Colson (tcolson@aimnet.com)

Gladstone Pottery Museum (Stoke-on-Trent) Go to Contents
Off the A50 (Uttoxeter Road)
Longton (Stoke-On-Trent)
Staffordshire, England
XXX
A nice, fairly large collection of tiles from medieval to Victorian in a well done but a bit care worn display. Well worth the visit.The museum is a "working" pottery located in one of the typical potteries of the industrial revolution period. Plenty of displays and demonstrations. Two big bottle kilns are set up to show what they were like when in use. The "colors" room was interesting. Lots of test tiles and big crocks that once held oxides of one sort or another.
Visited by Tom Colson (tcolson@aimnet.com)

Birmingham City Museum and Art Gallery Go to Contents
Near Victoria Square, City Center
Birmingham
Midlands, England
XXX
The museum has the most extensive collection of William De Morgan tiles I've seen, as well as some of his pottery. For fans of De Morgan's work, this stop ranks up there with the Willaim Morris Gallery and Leighton House as the "must see" destinations.
Visited by Tom Colson (tcolson@aimnet.com)

Liverpool Museum Go to Contents
William Brown St, City Center
Liverpool
Merseyside, England
0151 207 0001
They museum has a new gallery called "Craft of the Potter", a broad but shallow display covering the history of ceramics and particularly British ceramics. The exhibit is displayed very densely and some non-ceramic objects are included to give a little context. The CD-ROM application they had running to give you more info (beyond the brief captions) about each piece as well as more general information was well done. They museum has an extensive study collection, case after case of British industrial pottery of all descriptions. The collection also includes a small library. For the tile types, the winner is a panel of Burne-Jones designed tiles made by Morris et al. They illustrate a few scenes from "Cinderella" (here called Cinder Wench(?)). The same talent that stood Burne-Jones well in his paintings and stained glass translates well to tiles.
Visited by Tom Colson (tcolson@aimnet.com)

Jackfield Tile Museum Go to Contents
M6 to M54 towards Telford
Ironbridge, Telford
Shropshire, England
(01952) 433522 weekdays
(01952) 432166 weekends
(01952) 432204 fax
Ironbridge is the cradle of the industrial revolution. Must have been quite a place in its time. Now, it's a cluster of museums, including the British industrial revolution equivalent of Colonial Williamsburg called the Blist Hill Open Air Museum. More interesting to me was the Jackfield Tile Museum, home to lots of Victorian tiles. Your basic tile heaven. Mostly dedicated to the work of Maw and Craven Dunhill, one of whose premises form the present day site of the museum. A recreated sample room, with floor to ceiling tile panels, lots of tiled flanked fireplaces, sample cases, etc. In two other big rooms there was a more general display of tiles by many makers. All I can say is "Go and See!". Also in the room were a number of displays related to the working papers (sketch books, designs, layouts, school notes...) of one of the prominent designers of the time (whose name escapes me). I enjoyed the insight into the development of the creative force behind many of the pieces on display. There is a working tilery in the museum called the Decorative Tileworks. Their work is mostly tube lined and transparently glazed, similar to the style very popular in the Art Nouveau period. The character of the work suffers a bit (my opinion) due to the exclusive use of dust pressed bisque blanks as the substrate. Too uniform for my taste. The people working there were very friendly and willing to answer questions. One of them taught me how to pounce a pattern, which I'd previously tried but couldn't get to work. A bit dishonestly (my opinion), they offer Pilkington's factory made tiles for sale in a small shop mixed in with pieces actually made on the premises. Also for sale in the shop were some rather crude copies of the dust pressed encaustics made by an outfit called Treamlod Tilery, somewhere in Pembroksire. Unfortunately, that was just too far out of the way of anything else we planned to see to make the effort to try to locate them. Nearby (past the tile museum on Ferry Road) was the old tileworks of Maw & Co., which is now a nice mixed use space for craftspeople including workshops, apartments, etc. A tilemaker named John Burgess (01952 884094) has a studio there but he was out while we there. (Non-ceramic note: there's also an artist named Paul Goodson (01952 883923) doing original work in the Pictish/Celtic style. Nice to see someone doing new work in the style instead of merely copying from manuscripts or Bain's book.)
Visited by Tom Colson (tcolson@aimnet.com)

Stokesay Castle Go to Contents
7 mi NW of Ludlow off A49
Shropshire, England
01588) 672544
A typical small castle, a jumble of works from various eras. One small, poorly lit room with a barred door, paved with medieval two color inlaid tiles. Tough even to make out the patterns on even the best of the tiles given the conditions under which they were displayed. Even though the conditions under which the tiles were displayed was a disappointment, the place was worth a visit. My wife described it as "the kind of castle you could live in". Not too huge or fancy, just sort of homey. It's definitely a fixer upper though :). Personally I'd start with central heating! The adjacent Stokesay Church has tiles it-situ, but we did not go to see them.
(Non-ceramic features of interest: a beautiful room called the solar paneled in the kind of quarter-sawn white oak you can't buy today and covered with Jacobean carving like no one does today. Also, the gate house is one of the most attractive half-timbered houses I've ever seen. Three different kinds of half-timbering on the three stories. Not a plumb or square surface to be found, but that's half the charm.)
Visited by Tom Colson (tcolson@aimnet.com)

Buildwas Abbey Go to Contents
Shropshire, England
A ruined abbey (what other kind is there?) deserted except for us and the lichen covered stones. Still in-situ are many medieval tiles, both line impressed and two color inlaid. The best examples had been taken up and relaid in a covered room that might have been the chapter house. It was kind of small for that, though. Quite a few of the green lead-glazed plain tiles looked sort of like turnovers, I'm guessing due to over firing and bloating. Here I discovered the inconsistent way tiles are cared for by the various authorities (English Heritage, National Trust...). At Stokesay, you basically couldn't see the tiles because you were kept so far away from them. Here, many tiles were in the ground and I saw obvious evidence of frost damage to many tiles from last winter. Why the disparate levels of concern for the tiles? Granted, the tiles in the ground were not much to look at as far as decoration goes. The glazes had gone grey/black and many tiles lacked any glaze at all. Still, seems odd to let some rot and prevent one from even getting a good look at others.
Visited by Tom Colson (tcolson@aimnet.com)

Norton Priory Go to Contents
Tudor Road, Manor Park (off A558)
Runcorn
Cheshire, England
Most of the priory is long gone with the exception of the undercroft (paved with Victorian encaustics while it was used as the entry to a later mansion, also long gone) and an extensive set of foundations that give you a feel for the scale of the place. The site has a nice museum with an extensive display about medieval tiles. Many examples, and a step-by-step explanation of the process to make two color inlaid tiles (carve stamp, roll slab, stamp, pour white slip, scrape level, dry, sprinkle w/lead ash and fire). The display was created during a re-enactment where they duplicated the best-guess kiln and methods and made tiles. Well presented. The reproduction kiln (made of tiles too) is on display out on the grounds. The grounds themselves are quite beautiful and I'm sure even nicer later in the season.
Visited by Tom Colson (tcolson@aimnet.com)

Byland Abbey Go to Contents
Between the A19 and the A170
Near Thirsk
North Yorkshire, England
Has the most tiles still in-situ of the three abbeys in the area, mostly mosaic of a variety of patterns, including a rosette design worthy of any stained glass window I've seen in a cathedral. One of the rosettes has been lifted and transferred to the British Museum.
Visited by Tom Colson (tcolson@aimnet.com)

Fountains Abbey Go to Contents
Between the A19 and the A170
Near Thirsk
North Yorkshire, England
A HUGE place. Has a lot of mosaic, most taken up and reset on a raised dais at one end of the abbey church. We were there on Good Friday and a service was being held, with the altar and pulpit up on the dais. The cellarage at one end of the abbey has more stone ceiling vaults than I've ever seen in one place. Fountains had more tourists visiting than any other place we'd been. (Easter holiday effect?).
Visited by Tom Colson (tcolson@aimnet.com)

Rievaulx Abbey Go to Contents
Here we saw the best in-situ two color inlaid tiles, usually those nearest walls where they would have seen less traffic. The earth covering (for frost protection) had just been removed and there were many newly damaged tiles visible :(. I took an audio tour (w/ Walkman). These things are a great idea. Again, here we see major inconsistency in the care of tiles. At Fountains, many tiles had been taken up and reset in the doorways such that you were forced to walk on them and others from around the site had been reset on the dais. At Byland there were "keep off the tiles" signs all over, and at Reivaulx, the tiles had clearly been damaged over the winter by frost. Go figure.
Visited by Tom Colson (tcolson@aimnet.com)

York City Art Gallery Go to Contents
The highlight here is a collection of British Pioneer pottery, collected by a prominent local. A fine collection of Leach, Hamada, Staite-Murray, Cardew and their contemporaries. These pots are wonderful. At a casual first look, one might be tempted to say, "Hey, this stuff is not much different than some of stuff I see leaving the studio/school where I work. What's the big deal?" Really looking at the pieces makes apparent the subtleties of form and mastery of brush work that make it different. Art? Maybe. Craftsmanship of a high order, definitely. The work certainly must have been revolutionary in its time when the industrial china of Wedgwood et al. was the standard by which ceramics were measured. The two panels of Leach tiles really grabbed me, too. Free, sort of primitive feeling and different from most other tiles I've ever seen.
Visited by Tom Colson (tcolson@aimnet.com)

York Minster Go to Contents
City Center (just look up, you can't miss it!)
York
Yorkshire, England
I caught the tile bug here on our 1992 trip to the UK. The chapter house is paved with Victorian reproduction encaustics, ca. 1845 by Minton. I like these for their own merits even if the purists (of then and now) feel that they are too regular and lack the touch of the craftsman present in the medieval examples. According to some published sources, there are medieval tiles still in-situ, but we couldn't find them and the helpful woman in the information booth said that the earliest remaining floor in the Minster is 17th C.

(Non-ceramic note: the Minster is awesome, even to 20th C eyes. Sitting there and trying to see the place through the eyes of someone visiting in the period it was built, I could see the why the Church was successful in convincing people of the grandeur of God. Not matter what your religion, if any, a few minutes sitting there is worthwhile. We were lucky enough to be there when a service was happening and heard the organ music and a boy's choir singing. Talk about atmosphere.)

(Another non-ceramic York note: if you're into objects, check out the York Castle Museum. Miles of displays filled with "bygones." Also a nice display on the English Civil War period, which is tied together with excerpts from the diary of a Yorkshireman of the period.)
Visited by Tom Colson (tcolson@aimnet.com)

Victoria and Albert Museum Go to Contents
South Kensignton
London SW7
England
0171938 8500
In my opinion, the best ceramics collection we saw is in the V&A. There is no way I can adequately describe the collection. You just have to go see it! The things we saw that come to mind right now are everything from Egyptian paste to Iznik tiles to Roman mosaic to Medieval pots to English slipware to Delftware to De Morgan to Leach, Hamada, Staite-Murray, Cardew, Rie, Coper... Also, a nice display of contemporary potters. Particularly tasty were the salt-glazed ware from Jane Hamlyn and (Bob?) Keeler (I think), and a wild raku figure called Hound Dog by an artist whose name I can't recall. I was caught again by the Ruskin Pottery work and their variety of "flambe'" glazes. Major sore feet from standing dumbstruck in gallery after gallery. For some lucky reason, the ceramics galleries are on the top floor with huge glass ceilings for great light. The exception is the European tiles exhibit which is in a dark hole of a room. I was lucky to have seen the tiles before as half of the gallery was closed for redisplay! It's a good collection including medieval, Victorian, and modern British tiles as well as some early Continental (France/Germany) line impressed work and a huge variety of tin glazed delft and majolica. If you go, don't be fooled into thinking that what's in the lighted display cases is it. All the way around the room there must be 100+ drawers beneath the display cases crammed with thousands more tiles. If they'd only get more light in there it would be a fantastic room. We had to have lunch in the restaurant as the walls are hung with panels of De Morgan animal tiles. We were treated to some decent jazz (jazz brunch every Sunday) as we ate. For anyone looking for an interior decoration overdose, stop by the restored Victorian refreshment rooms. One is floor to ceiling decorated with glossy architectural faience. Another interior is by William Morris. Pretty cool if your taste runs that way.
Visited by Tom Colson (tcolson@aimnet.com)

The British Museum Go to Contents
Great Russell Street
London WC1
England
0170580 1788 (recorder information)
As with the V&A, you just have to go to see it! The primary draw for me is the extensive and well done display of medieval tiles. Whole and partial pavements, the excavated remains of a medieval kiln (complete with a bunch of fused wasters still inside!), and representative examples of most types and techniques used in the period. I really liked that they set the tiles up so you could touch them. They were just set in the wall with notes around them. The BM isn't big on later periods, but they do have some nice De Morgan tiles/pottery and lots of Victorian "encaustic" tiles on the walls above the display cases. The BM also has many mosaic pavements from Roman Britain. Of course, the BM has a broad collection of ceramics (and other loot...er...I mean artifacts) from most periods and areas of the world. For some reason though, I like the V&A collection more. The BM focuses on antiquities and thus has more of an "historical" flavor than the V&A, which unabashedly focuses on the decorative arts and the objects themselves. Maybe this is why I enjoyed the V&A more. I do feel like I gave the BM short shrift this trip and plan to spend some significant time next trip to really see the earlier exhibits.
(On a non-ceramic note, the Sutton Hoo burial ship exhibit in the BM is great. The workmanship and design of some of the gold and gold/garnet artifacts on display were amazing. Very nice for those who appreciate Pictish/Celtic/Viking decoration.)

Leighton House Go to Contents
12 Holland Park Road (N of Kensington High Street, off Melbury Road)
London W14
England
0171-1602 3316
Home of Frederic, Lord Leighton, a Victorian painter. The stunner here is the Arab Hall, built to show off Leighton's collection of Arabic tiles. William de Morgan provided a huge number of blue-green plain tiles to cover other walls in the house, and supposedly some copies of decorated tiles to fill out panels where Leighton was short a few. Either the copies were very good or my eyes none too critical as I couldn't spot the copies. One curiosity in the Arabic tiles was the fact that at some point, all of the depictions of animals and humans had been defaced by a gouge across the neck. This was done to adhere (?) to the strict Islamic decree that no LIVING creature can be depicted. Many fine De Morgan tiles and vessels were on display throughout the house, some of which were part of the original decoration scheme. The house is of course full of Leighton's paintings as well as other work, including more Burne-Jones paintings than we saw on one wall anywhere else.
Visited by Tom Colson (tcolson@aimnet.com)

William Morris Gallery Go to Contents
Walthamstow, Outer London
England
The primary ceramic draw here is a selection of William De Morgan work (tiles and vessels), including two rampant lion tile panels that are pretty amazing. Of course, if you like Morris' work, there is no other place I know of where you can see a better selection of his textiles, wallpapers, stained glass, and tiles. The work is nicely displayed with explanatory panels that give a chronology of Morris' life and work. If you think all tapestries are faded pastoral scenes, check out "The Woodpecker".
Visited by Tom Colson (tcolson@aimnet.com)

British Medieval Tiles: In-Situ, Other Sites Go to Contents
Alphabetical by Location (County)

Buckinghamshire
Great Linford Church
Cambridgeshire
Ely Cathedral
Ely, Prior Crauden's chapel
Cheshire
Chester Cathedral
Cornwall
Launcells Church
Dorset
Milton Abbas, St Catherine's chapel
Shaftesbury Abbey, church and site museum
Dyfed
Carew Cheriton Church
St David's Cathedral
Strata Florida Abbey
Gloucestershire
Gloucester Cathedral
Tewkesbury Abbey
Greater London
Westminster Abbey: Chapter House and St Faith's chapel
Kent
Canterbury Cathedral
Rochester Cathedral
Hampshire
Titchfield Abbey
Winchester Cathedral
Winchester, Hospital of St Cross
Norfolk
King's Lynn, Clifton House
North Devon
Horwood Church
Newton St Petroc Church
West Leigh Church
Northamptonshire
Higham Ferrers Church
Powys
Old Radnor Church
Somerset
Cleeve Abbey: old refectory and church
Muchelney Churcht
Wells Cathedral
Suffolk
Icklingham All Saints Church
Worcestershire
Great Malvem Priory
Yorkshire
Old Byland Church

British Medieval Tiles: In-Situ, Other Sites Go to Contents
Alphabetical by Name

Canterbury Cathedral, Kent
Carew Cheriton Church, Dyfed
Chester Cathedral, Cheshire
Cleeve Abbey, Somerset: old refectory and church
Clifton House, King's Lynn, Norfolk
Ely Cathedral, Cambridgeshire
Ely, Cambridgeshire: Prior Crauden's chapel
Gloucester Cathedral, Gloucestershire
Great Linford Church, Buckinghamshire
Great Malvem Priory, Worcestershire
Higham Ferrers Church, Northamptonshire
Horwood Church, North Devon
Icklingham All Saints Church, Suffolk
Launcells Church, Comwall
Milton Abbas, Dorset: St Catherine's chapel
Muchelney Church, Somerset
Newton St Petroc Church, North Devon
Old Byland Church, Yorkshire
Old Radnor Church, Powys
Rochester Cathedral, Kent
St David's Cathedral, Dyfed
Shaftesbury Abbey, Dorset: church and site museum
Strata Florida Abbey, Dyfed
Tewkesbury Abbey, Gloucestershire
Titchfield Abbey, Hampshire
Wells Cathedral, Somerset
West Leigh Church, North Devon
Westminster Abbey: Chapter House and St Faith's chapel
Winchester Cathedral, Hampshire
Winchester, Hampshire: Hospital of St Cross

Irish Medieval Tiles: In-Situ, Other Sites Go to Contents
Alphabetical By Location (County)

Co. Cork
St Mary's Church, Youghal
Co. Dublin
Christ Church Catherdral, Dublin City
St Patrick's Cathedral, Dublin City
Co. Kilkenny
Graiguenamanagh Abbey
Co. Louth
Mellifont Abbey, Dundalk
Co. Wicklow
Baltinglass Abbey

Irish Medieval Tiles: In-Situ, Other Sites Go to Contents
Alphabetical By Name

Baltinglass Abbey, Co. Wicklow
Christ Church Catherdral, Dublin
Graiguenamanagh Abbey, Co. Kilkenny
Mellifont Abbey, Dundalk, Co. Louth
St Mary's Church, Youghal, Co. Cork
St Patrick's Cathedral, Dublin

Irish Medieval Tiles: Museums and Collections, Other Sites Go to Contents
National Museum,
Rothe House Museum, Kilkenny
Millmount Museum, Drogheda

British Victorian Tiles: In-Situ, Other Sites Go to Contents

The following information is excerpted from the late Kenneth Beaulah's Church Tiles Of The Nineteenth Century. See the Booklist for complete bibliographic information. At around £2, this little book is a steal. If you are even slightly interested in the subject, buy it!

Mr. Beaulah states: "More than half the churches in England made use of decorated floor tiles. The following is a selection of some with a better than average display or of particular interest. Dedications are inserted only when there is more than one church in a place. The dates are tentative, being either that of the building of a church, or of its restoration.
Where makers are known, they are indicated thus,
C, Chamberlain
M, Minton/Minton Hollins
G, Godwin
MW, Maw
RMT, Robert Minton Taylor
CB, Campbell Brick and Tile Company
CD, Craven Dunnill
BT, Broseley Tileries

Albury Old Church, Staffordshire. M, 1842.
Anlaby, Humberside. CD, 1885.
Ashbourne, Derbyshire. RMT.
Baldersby, North Yorkshire. M, 1858.
Bangor Cathedral, Gwynedd. CD.
Bath, Avon, St John. M, 1863.
Beswick, Humberside. M, 1871.
Beverley, Humberside. St Mary, G, 1867.
Bigby, Lincolnshire. M.
Bishop Wilton, Humberside. G, 1860.
Boroughbridge, North Yorkshire. M, 1852.
Brewood, Staffordshire. M.
Buckland Monachorum, Devon. MW.
Bungay, St Mary, Suffolk.
Burslem St John, Stoke-on-Trent, Staffordshire. CB, c.1880.
Carlisle Cathedral, Cumbria. G.
Cheadle, Staffordshire. St Giles, M, c.1847.
Cheltenham Gloucestershire. G.
Chester Cathedral, Cheshire. CD, M.
Chislehurst, Kent. St Mary. Tiles by Boulenger, Auneuil, France, 1874.
Church Leigh, Staffordshire. M, c.1844.
Cirencester, Gloucestershire. G.
Coverham, North Yorkshire. MW, majolica.
Derby St Mary. M, c.1860.
Devizes, Wiltshire, St John. 1875.
Ely Cathedral, Cambridgeshire. M.
East Grafton, Wiltshire. C.
Enville, Staffordshire. M, 1875.
Exeter Cathedral, Devon. G.
Gloucester Cathedral. M, G.
Hedon, Humberside. M, 1844.
Hereford Cathedral. G, 1857.
Highnam. Gloucestershire. G.
Hunmanby, North Yorkshire. BT.
Jackfield, Shropshire. MW, 1863.
Kemberton, Shropshire. CD, 1882.
Kirby Grindalythe, North Yorkshire. G. 1878.
Kirmington, Humberside. CD.
Knapton, Humberside. MW, 1871.
Knighton, Powys. M, 1877.
Leighton, Powys. M, 1853.
Lichfield Cathedral, Staffordshire. M, c.1860.
London, All Saints. Margaret Street. c.1850.
London, St Paul. Herne Hill. M.
Louth, Lincolnshire, St James. Sanctuary, M south porch MW.
Lugwardine, Hereford and Worcester. G.
Malvern, Worcestershire, Priory Church.
Masham, North Yorkshire. G.
Newport, Humberside. G, 1898.
Newton-on-Ouse, North Yorkshire. M, 1848.
Oscott, St Mary's College.
Sutton Coldfield West Midlands. M, about 1860.
Penkhull St Thomas, Stoke-on-Trent, Staffordshire. c.1880.
Pocklington, Humberside. CB, 1885.
Redhill, Surrey. C, 1843.
Rise, Humberside. M, 1843.
Rochester Cathedral, Kent. G.
St Albans Abbey, Hertfordshire. M, c.1885.
St David's Cathedral, Dyfed. G
Salisbury Cathedral Chapter House, Wiltshire. M, c.1855.
Sawtrey, Cambridgeshire. MW.
Scampston North Yorkshire. M 1842.
Scorborough, Humberside, M, i859.
Sedgeberrow, Worcestershire. G 1868.
Shrewsbury, Shropshire, Battlefieid. M, MW, 1862.
Shrewsbury, Shropshire, St Mary. M, MW and
South Dalton, Humberside, MW, 1861.
Stafford, St Mary. M, c.1842.
Stoke-on-Trent, Staffordshire, St Peter ad Vincula. M, c.1844
Stoke-on-Trent, Staffordshire, Trinity, Hartshead. M, 1842.
Sutton, near Ely, Cambridgeshire. M, c.1843. Tetbury, Gloucestershire.
Tewkesbury Abbev, Gloucestershire. G.
Thornton Curtis, Humberside. M
Thorpe Bassett, North Yorkshire. CD, 1880. Trentham, Staffordshire. M, 1844.
Tunstall, Christ Church, Stoke-on-Trent, Staffordshire. CB, 1885.
Weaverthorpe, North Yorkshire. G, 1872.
Welshpool, Powys. G.
Welburn, North Yorkshire. M, 1865.
Wells Cathedral, Somerset. M.
Wheldrake, North Yorkshire. RMT, 1875.
Willerby, North Yorkshire, CD, 1882 Wimborne Minster, Dorset. M, 1857.
Winchester, Hampshire, St Cross. M.
Winteringham, North Yorkshire. Carter.
Worcester Cathedral. G
Yapham, Humberside. M.
York, SS Philip and James. M, 1867."

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